[Warning: This video may cause nausea and vomiting…enjoy the ride!]
If you’re a curious sort you may have found yourself wondering what it would look like from the wheel of your car whilst travelling at speeds upwards of 40MPH. This cool kind of hypnotic, possibly nausea inducing, video is the result of a mad-cap experiment by video creator Ryan Fox who decided to strap a go pro on his car tire and go for a drive. What did he use to mount it? Duct tape. While this is the type of thing that would make Red Green proud we don’t recommend trying this at home.
We decided to reach out to Ryan to learn more about him and his process.
I got the idea when I finally convinced myself to splurge and get a GoPro camera. I figured OK, you now have this tiny camera that has the capability of taking beautiful images but still be thrown around a bit so let’s think outside of the box with it beyond taking extreme sport footage or using it in water which we already commonly see shared online. I wanted to do something truly experimental with the camera and test it’s limits visually and physically.
Simply put I just firmly duct taped it centered on my rim and tested it on a back road at 25mph. Then eventually 45mph and even 65 and realized it wasn’t budging and I was safe to take it into the city. I had an idea while driving around that the footage would look pretty mesmerizing , but was blown away once I got home and watched it on my computer. I love the unpredictable quality of the beautiful bright lights, definitely very kaleidoscopic.
The footage only took as long as it took to drive around. Now I’ve filmed a lot of times doing this, both at night and in daytime, and I typically just strap it to the car whilst running errands and sometimes I’ll go for an hour long drive up and down brighter looking main drags in downtown Milwaukee, my home
I’m a 29 year old film student entering my senior year at the University of Wisconsin-Milwaukee. As for what I’m working on now you can find it all on my vimeo page. I’ll be shooting a couple shorts this fall as well as continuing to experiment with my GoPro, trying to capture imagery no one has typically seen before.
DCP debuted as a installation in the Toronto Urban Photography Festival in 2013. Since then, DCP—which formally launched last July—has expanded into an international street-photography phenomenon in cities including Vancouver, Montréal, Amsterdam, Auckland, Los Angeles, Jakarta, Tokyo, and Brooklyn. DCP aims to democratize street photography by actually involving the people on the street.
Cameras are placed across cities and everyday people are encouraged to take pictures, capturing moments that might have otherwise gone forever uncaptured. From silly selfies, to breathtaking sunsets, to stolen kisses, our albums have captured the gamut of urban life on film. DCP wants to tell the stories of people in cities all over the world through the people themselves. It’s street photography showcasing people on the street BY the people on the street: a collaborative, crowdsourced worldwide urban census. Spontaneous, unplanned & unfiltered. That’s DCP.
Opening Gala/TUPF Closing Party: July 11 6:30-11pm
Section 37 Gallery – 180 Sudbury St – Concourse Level
Last week, we got into the various products that offer live streaming capability. This week, we’re going a bit more in depth about one specific product – the Livestream HD510 – a revolutionary solution that can turn even the smallest space into a full-fledged TV studio.
Rarely does such small, portable technology offer such sweeping changes for a business. Check out a video presentation from NAB to get a better idea:
as a case study (we’ll have more about it coming soon), Vistek’s downtown Toronto store is now officially using the Livestream HD510 to push every one of its upcoming seminars live on the web. So whether they’re teaching DSLR Basics or educating pros about a brand new video camera, you can learn all about it from anywhere – and yes, that includes your phone/tablet.
Imagine what technology like this can do for you. From a massive (and growing) collection of professionally-designed, importable graphics, split screen capability, versatile integration of hundreds of different cameras and so much more, this is the solution to take any production to the furthest reaches of your imagination.
To put it simply, the Livestream HD510 is pretty much the kind of tech you saw in movies about the not-to-distant-future – come to life.
Natalia Zurawska has been a professional makeup/hair/spfx artist for the last 10 years. Having had had the opportunity to work with some of the most amazing international photographers, Zurawska has learned a thing or two from her experiences. That being said, Natalia has shared some top-notch feedback with us. Take it away, Natalia!
Many common errors can easily solve a lot of time, money as well as frustration so that every shoot is fun and seamless – no pun intended. So here are 4 of the ones I’ve noticed most in my time working with Photographers.
Communication is key to every relationship and a lack of it causes unnecessary stress and frustration. Creatives are a great way to build teams. A creative is when a photographer, makeup/hair artist, model and sometimes wardrobe stylist get together and collaborate on a photo shoot for their portfolio. It is also called a TFP – time for prints.
As a photographer, you are the boss. Decide what kind of shoot you would like to work on and who you would like to work with that is perfect for the job. Discuss ideas, additional expenses if they are needed and email everyone to keep them in the loop and set up a date. Also discuss if you provide prints for free or just digital files.
It is really important to find out how long it will take to do a particular hairstyle or makeup look. Also, some makeup artists just do makeup, find out if they do both makeup and hair or if you will need a separate hair person as well as an assistant if you are using more than one model. Having people standing around creates a lot of chatter and lack of focus. Make a schedule for the day of the shoot so that everything is neatly organized. This way everyone knows what is expected and runs smoothly.
Sometimes shoots are outdoors. Make sure to let everyone know this so they may dress appropriately. If you are shooting out of town, make sure everyone has a way to get there if they don’t drive. Ask if anyone has any allergies. There are many little details like this that may be overlooked and yet make a huge difference when shooting.
As a photographer it is up to you to provide food if it is going to be a long day. Water should always be handy. If it is cold outside, having a heater or warming gloves makes a big difference. Treating everyone well, creates amazing results and lasting relationships. Always pay on time and provide any additional expense money up front or on the day of the shoot. The more fun and positive the atmosphere, the better the experience for everyone.
I hope you have enjoyed these tips! Happy Shooting Everyone!
***We do not recommend you attempt to emulate this video with your own Quadcopter. PLEASE DO NOT EMULATE THIS VIDEO WITH YOUR OWN QUADCOPTER***
There. How was your weekend? Good? Good.
Every year, we sit back in our lawn/Muskoka/Adirondack chairs and take in a massive series of sky-borne explosions. In the case of our Neighbours to the south, national pride is celebrated via literally trying to blow up the entire sky through a fireworks display as dazzling as it is gigantic. And like every other thing we’re used to seeing from a one vantage point, someone with a DJI Phantom 2 Quadcopter got the idea that it’d be SUPER COOL to film it from the opposite vantage point – cool enough to risk breaking the law (probably) and literally blowing up his equipment. Hence the following video!
Enjoy, but PLEASE DON’T SEND YOUR DRONE INTO A LARGE SERIES OF EXPLOSIONS.