Interviews
Whether it’s our ongoing World Class YouTube series, or our photographer spotlights, our interviews series is here to introduce you to our industry’s up-and-coming and veteran image makers.Meet our Presenters: A Q&A with Michael Willems
0For decades, Vistek has been an authority on pro level photography. That’s why we only bring the most experienced and qualified photographers for our hands-on workshops and seminars. To show you what we mean, we’ve created this blog series to give you a closer look at the people who drive Vistek.
Meet Michael Willems
Michael Willems is one of Canada’s most popular photography coaches and the author of the popular Advanced Flash, Event Photography, and Travel Photography signature seminars. He is a keynote speaker, lecturer and teacher at schools like Sheridan College and Canada’s School of Imaging. Michael is a regular columnist in Photo Life and runs his own photography teaching blog at speedlighter.ca.
Perhaps most significantly, Michael is an award-winning photographer, with a portfolio that spans across newspapers & magazines, the fashion industry and various private projects. His work has found its way to over 35 countries on 5 continents. He is a member of David Honl’s Round Table. He understands the engineers, because he is one: he has a BSc(Eng) in Electronic Engineering. As a photographer, he is a member of NPAC, is accredited with PPOC, and has earned LPPO licentiate status.
Street Photography with John Beebe
1This Saturday, September 14, 2013 Vistek presents a seminar on street photography with internationally recognized…
Up Close & Personal: Q&A with Ryan Tonegawa
1Not only are we all about the image, but we’re finding that the wonderful staff at Vistek’s many Canadian locations are too. We’re excited to bring you the first of many features about just how about-the-image some of our staffers are. For example, Ryan Tonegawa has found an outlet for his many passions in combination with his already-vast photography knowhow. We got a chance to chat it up with Ryan and get some of his insights about gear, grinds and globetrotting.
Meet Ryan Tonegawa
How does your job at Vistek relate to your creativity outside of the office?
Working at Vistek has allowed me to tap into the vast amount of knowledge that is held amongst the staff. We are continuously sharing thoughts and ideas. It’s like working in a symposium every day and it’s awesome! We have creatives of all shapes and sizes here at Vistek and that certainly keeps the mind active and inspired. Sure it may sound cheesy, but it’s the truth. I have the privilege of working with some incredible artists. The same could be said about our clients as well. There is always someone with a technical question we haven’t heard before or a client with a new twist on an old technique. Not to mention the great equipment we get to test out! Everyday is a little different and I love it.
How long has photography been a passion?
I have been collecting images for as long as I can remember. I was fortunate enough to travel a little bit with my grandparents when I was young. It must have started there since I always had some sort of camera with me. We weren’t exactly globetrotters, but over quite a few summers we did a good job of visiting every nook and cranny from Toronto to the Florida Keys. As we ventured through history at Museums, old forts and Tallship gatherings I would document all of the cool things that crossed our path, which was pretty much everything according to an 8yr old. All of the new and amazing landscapes we travelled through were always fun to shoot as well! That certainly sparked my interest early in the power of a picture.
Do you have a particular genre that’s your favourite to shoot?
Action sports. Hands down. Specifically, snowboarding and aggressive inline skating. Hanging out with gnarly people doing gnarly things is always an exciting time! But there is certainly something incredible about being given the privilege to document a person’s family. When shooting weddings I’m immersed in a stranger’s friends and family. By the end of the day I have a created bunch of new relationships and memories for a lifetime. Regardless of the genres, I have met a slew of wonderful characters in the past few years, a great side effect of shooting for sure.
When Extreme Runs in the Family: A Q&A with Justin Van Leeuwen
2Vistek’s online and in-store photo gallery continues to bring to you a wide range of amazing and talented photographers from across Canada. Currently showcasing at our downtown Toronto location until October 4 is the work of Ottawa photographer Justin Van Leeuwen. His fresh approach to the family portrait is zany, entertaining and extremely creative.
Respectfully Outrageous: Q & A with Matt Barnes
3Vistek’s Online and In-store Photo Gallery continues to bring to you a wide range…
Rooms for Tourists: Q & A with Heather Saitz
0Vistek’s Online and in-store Photo Gallery continues to bring to you a wide range of amazing and talented photographers from across Canada. Currently showcasing at our downtown Toronto location, until the end of May as part of the Scotiabank CONTACT Photography Festival…
Meet Heather Saitz!
What is your background/education?
I studied Photography at Sheridan College in Oakville and Communications Design at Seneca @ York. Fresh out of photo school, I went to work as a studio assistant for a Toronto catalogue house, shooting “glamorous” stuff like tools and bedding for clients like Zellers and Home Depot. I eventually left the commercial studio to work as a freelance assistant for several years with many successful Toronto photographers, some of who have gone on to do really amazing things. I wouldn’t trade my art school experience for anything, but I’ve learned way more assisting and working in the “real world” of photography.
How long has photography been a passion?
How did you get your start? Did you have a special mentor?
I’m going to lump these into one question as they both relate directly to each other.
I’ve been doing photography for over 17 years. I got my start through my Dad – he worked as a photojournalist in the early 1970’s in Toronto. He both influenced and nurtured my love of photography. He bought me my first camera and built me a darkroom in our basement when I was 17. I was also fortunate to have attended a high school known for its Integrated Arts Program, where I first studied photography in a formal setting.
Any favourite photographers?
Oh there are so many – where to start!? I had the opportunity to see Fred Herzog speak in Calgary recently, and it was a truly moving experience for me as I admire his work and process so much. Other favourites include Tim Walker, Martin Parr, Mel Bles, Olga Chagaoutdinova and Alec Soth to name a few. Commercially, I’ve always admired Annie Leibovitz, but mostly for her older work when she was at Rolling Stone and her portrait work around that time.
What/who (where?) inspires you to shoot?
Travel always inspires me to try new techniques, and I will often travel with film cameras. I also draw a lot of inspiration from the things happening around me. I’ve sort of trained my eye to look below the surface image of things – to see everything in the world as a potential photograph.
How would you describe your style?
I’ve described my style in the past as a type of stylized photojournalism. Someone told me once my photos sometimes look like paintings. I think this is due to my graphic design background, which definitely influences my photographic style in terms of having a very strict eye for colors and composition.
What has your greatest career accomplishment been to-date?
My greatest accomplishment happens daily: the fact that I wake up each and every morning and do what I love for a living — that’s the greatest feeling of all.
What was the inspiration behind Rooms for Tourists?
I’ve been photographing motels since approximately 2009, but even earlier than that, before I consciously realized I was documenting them. My entire body of non-commercial photographic work explores the narratives of yesteryear in order to provide a subtle social commentary on contemporary society. Motels fit right into this concept (I guess the reason why I’ve always photographed them.) I’m fascinated by the Motel’s rise and fall in society, its relationship to the automobile, and the “American Dream”; it’s post-war entrepreneurial expression and “Googie” architecture. Motels are so fascinating to me on so many levels, I just can’t pass them by.
What was your greatest challenge in shooting this series?
I found that a lot of people directly involved with the Motels didn’t want anything to do with the project, which was upsetting to me as I envisioned getting to know some owners and managers of the establishments and taking their portraits. Research was also very time consuming and not always accurate. I would spend hours researching motels I wanted to photograph, but when I finally ventured out to photograph them, some had been torn down, others renovated and were no longer photogenic, or many just weren’t as interesting as they posed to be on the internet. So I’d travel all the way there to leave with no great shots.
This series was shot over two years in a wide variety of locations across the country, do you have any travel tips for photographers? How did travelling affect your photographic process?
The two things I’ve come to rely on when travelling and will spare no expense on now are:
- a really great camera bag. One that is light and comfortable but that will hold a lot of gear and still classifying as carry-on luggage size. My bag now is Tenba. I can fit two cameras with lenses in it, plus it has a super handy and fast zipper slit in the top for easy access. It’s a great travel bag.
- a lightweight tripod. You never know when you may need it, and it’s an important tool to have when you do realize you’re suddenly in that ‘right place at the right time’ scenario.
What was your most memorable experience shooting this series?
The abandoned motel we came across in Quebec. It literally looked like someone walked away in the middle of the 1960s and just locked the doors. All the bedding, curtains, lamps, beds, towels, everything was left just how it would’ve been placed when the motel was functioning. Unfortunately, the ceilings had caved-in in many of the rooms so I was unable to fully get inside to shoot it. But wow – what a surreal and creepy place. It will stay in my mind forever.
Dancing about photography: Q & A with Jeremy Fokkens
1Vistek’s Online and In-store Photo Gallery continues to bring to you a wide range of amazing and talented photographers from across Canada. Currently showcasing at our downtown Toronto location, until the end of April…
Meet Jeremy Fokkens!
What is your background/education?
I am actually a self-taught photographer born in Calgary, Alberta.
How long has photography been a passion?
I knew I wanted to become a photographer from the age of 18 and bought my first camera (Nikon F-80 film) at the age of 21. Last time I checked I am 29 years old.
How did you get your start? Did you have a special mentor?
I started with photography while I was dancing professionally, overseas, on a cruise line out of Los Angeles. I was able to perform in some pretty incredible countries and cities which exposed me to a variety of places, spaces, environments, culture, traditions, and religion. So, when I was not rehearsing or performing in shows during the day, I was getting myself lost in the streets of each port taking photographs of everything and anything.
Are there any photographers that inspire you?
My list literally changes from week to week. As of right now: Joey Lawrence, Michael Ernest Sweet, James Nachtwey’s work from the 80s & 90s, Larry Louie, Sebastiao Salgado, and Sally Mann.
Do you have a particular genre that’s your favourite to shoot?
I love environmental portraiture. There something about taking the person out of the studio and putting them in an environment where they are most comfortable and relaxed. I feel this is when the magic happens.
What/who (where?) inspires you to shoot?
My curiosity is the base of everything that inspires me. If I’m curious about fishermen in Bangladesh, I’ll go to Bangladesh and photograph fishermen. I prefer places with a bit of nitty-gritty atmosphere, where there is a sense or element of survival/hardship. That being said, my subjects inspire me to do what I do as their stories and faces continue to push my work, my intentions, and to inspire others.
What has your greatest career accomplishment been to-date?
That’s a tough question. I think (it would have to really be) being able to take photographs for a living; having the opportunity to travel extensively and to show an audience they might not ever get a chance to experience. I LOVE what I do and there is no greater feeling… everything else is just icing on the top.
Can you share with us anything that you’re working on right now?
I mentioned earlier I was a professionally trained dancer so my next project will involve the dance community on a global scale that will take me 3 to 5 years to complete – maybe longer… and I’ll leave it at that!
Where do you see yourself in 10 years?
I see myself pushing my photography (to the point) where I am constantly challenged both physically, mentally, and continuing to learn and grow in all aspects of the business and never losing that passion. In terms of accomplishments, I guess we’ll wait and see as I try not to plan too far ahead as it distracts from the now.
What kind of cameras do you shoot with?
I shoot with a Nikon D700 and just recently a close friend lent me a 50’s TLR Rolliflex & Rollicord so I’m pretty stoked to get back into some film.
Tether Tools: Q & A with Lauren Kapinos
0Shooting tethered is growing in popularity for a number of reasons, so we thought we’d go right to the source to find out why! Tether Tools‘ Lauren Kapinos was good enough to give us the full deets on why shooting tethered just makes sense!
For those not in the know, could you explain what tethered shooting means?
Tethered photography is the process of connecting your digital camera to a computer or other monitor so you can see your images on a larger screen while you are shooting. The connection between a camera and computer or monitor is typically achieved with a USB, Firewire, CAT or HDMI cable, depending on your camera and computer. You also can wirelessly tether your digital camera to a computer, iOS device or tablet via a wireless transmitter. Recent technology advancements have increased tethering options and now your screen device can be a desktop or laptop (PC or Mac) and an iOS device (iPad, iPod, etc) or other tablet. In all scenarios, photo data bypasses the camera and a file saves directly to a folder that you’ve set up on the computer, tablet or external hard drive. The tethering software you use displays your image on the computer screen, where the photograph can be seen in greater detail.
There are many software applications that enable tethering to computer including Lightroom, Aperture, CaptureOne, Nikon Camera Control Pro 2, CameraRC, Canon EOS Utility and more. And there are a few devices on the market that enable wireless tethering including CamRanger, iUSBPort, Eye-Fi and built-in or add-on transmitters supplied directly by camera manufacturers.
What are the advantages to shooting tethered?
There are a many benefits to shooting tethered; some of the most common reasons to tether include:
Watching Your Work: Art directors and clients love the ability to see your images mid-shoot on a larger screen and having a workstation that allows them access to images is paramount for keeping the camera and your workspace free from distraction.
Improving Communication on Shoots: Shooting tethered increases on-set communication between photographer, assistant, stylist, makeup artist and subject. When everyone can see what’s being captured, they can all work toward the desired image in a cohesive manner. You can also instantaneously share images with clients (on-site or in remote locations) which creates better client/photographer relations and helps foster a collaborative and constructive feedback process.
Refining Your Skills: Shooting tethered helps you learn and incorporate what you’re learning so that you become a better photographer faster. By seeing the images captured while you are shooting, photographers gain a better understanding of camera settings because you can immediately see exactly what is being captured vs. deciphering captures during the post-production process. Being able to adjust and re-shoot immediately helps you make better on-the-spot decisions. Tethering enables you to evaluate and then tweak your settings, lighting and composition to improve your work mid-shoot rather than waiting to incorporate what you’ve learned into the next shoot.
Improving Your Composition: Tethering allows you to easily spot any distracting elements, refine your focus and depth of field, and address any exposure issues, unwanted reflections and shadows that you may not notice through the lens.
Controlling Camera Settings: Tethering capture programs like Canon EOS Utility and Nikon Camera Control Pro 2 let you control camera functions, exposure mode, ISO, image quality, and more directly from your computer.
Increasing Your Workflow Efficiency: When you shoot tethered, you’re sending data directly to your computer drive instead of a small CF or SD card, which are likely transferred during or after the shoot for post-production or client sharing. Shooting direct means a faster, more efficient shoot for you and your workflow. Send images directly from your camera to your client via email (or to their iPhone or iPad) before they even leave the shoot. Your client will appreciate the quick service.
Tether Tools Product Overview from Douglas Sonders on Vimeo.
Is this something that can be done on-site as well as in-studio?
Yes, tethered photography can be done anywhere. Before the convenience of laptops and tablets, tethering was considered a cumbersome process, however by integrating lightweight laptops, iPads and even SmartPhones, tethering on location is now incredibly easy, regardless of what device you are sending images. The Tether Table Aero was actually conceived after shooting and assisting on location with heavy gear, computers and tables. After lugging gear around for a year, I developed the Tether Table Aero System to meet my own shooting needs and lighten my load. I wanted gear mounting solutions that were sturdy and versatile enough for everyday use in the studio, but lightweight and portable enough to take on location with me. Now all Tether Tools gear is designed for both in-studio and on-location use and helps photographers, filmmakers and even audio and music professionals integrate the technology devices needed to tether and improve the creative process.
Who benefits most (what sorts of photography) from tethered shooting?
Photography that benefits from tethering include : Architecture, Landscape, Fashion, Product, Food, Advertising, Portrait, Commercial, Wildlife/Nature, Time lapse, and Remote Trigger,
And remember, the photographer isn’t the only person on the shoot who benefits. Tethering also really helps: assistants, art directors/clients, educators/workshop instructors, and students.
Luminous Landscape asks: is medium format dead?
0The good folks at Luminous Landscape have posted this great video interview with Henrik Håkonsson, …
Brooks Reynolds: An Exploration of Light
0Hamilton-based photographer Brooks Reynolds calls his work “an exploration of light,” and explains that, for…