Fujifilm’s latest GFX camera, the GFX100 II offers a ton of new and improved features over the previous GFX100/GFX100s, and given the specs, might just be the biggest temptation yet for full-frame photographers to step up to the next level of sensor size.
At the heart of the GFX100 II is a new 102-megapixel, CMOS II HS image sensor (roughly 1.7 times larger that full-frame), paired with Fujifilm’s latest 5th generation X-Processor 5 image processing engine offering almost twice the readout speed of the previous versions.
Faster processing speed combined with a larger buffer memory (128GB) size boost the GFX100 II’s continuous image capture speeds to up to 8 frames per second vs. the 5 fps on the GFX100s.
It also allows the in-body, image stabilization (IBIS) system to provide up to 8 stops of additional stabilization and helps to power the new AI-developed autofocus algorithms.
View GFX100 II Pricing and Availability at Vistek
These deep learning, AI-powered autofocus algorithms, (a first for the GFX line), provide more accurate subject detection and tracking AF that is able to quickly detect and track various subjects, including animals, birds, vehicles, and other fast-moving objects.
Native ISO range has also been improved over previous versions, now offering ISO 80 to 12,800 expandable up to ISO 40 to 102,400.
Video Features
In terms of video, the GFX100 II has made vast improvements over the previous models, offering 8K/30p and 4K/60p video recording as well as 5.8K video recording at up to 30p.
In a first for the GFX System, Apple ProRes 4:2:2 10-bit video can be recorded internally, while support for Apple ProRes 422 HQ, Apple ProRes 422, and Apple ProRes 422 LT is also included.
For users who prefer using Blackmagic’s DaVinci Resolve to edit their videos, the GFX100 II also has the ability to record in Blackmagic RAW.
Video can also be recorded directly to an attached SSD via USB-C and the full-size HDMI (Type A) output allows for recording to an external recorder and both CFe Type B and SD memory cards are supported.
Like the X-H2s and X-H2, the GFX100 II incorporates the Camera-to-Cloud system allowing direct connection to the Frame.io platform or to FTP servers over Wi-Fi or via ethernet using the built-in LAN connection port.
If you are not familiar, Frame.io provides the ability to securely deliver hi-res RAW or JPEG images, send h.264 video proxies, or upload 8K ProRes Video from any where in the world, allowing for immediate project team review and consideration.
Watch: Atomos Connect vs Fujifilm X-H2 Camera 2 Cloud with Frame.io | Are you remote production ready?
The GFX100 II also provides specified crops and aspect ratios for multiple cinema formats, including full-width GF Format, as well as FUJINON PREMISTA and CABRIO Zoom Lenses with a GF to PL adaptor.
Two different high resolution 35mm Anamorphic recording modes that provide various de-squeeze monitoring options in-camera are also available.
Fujifilm’s outstanding colour science, including the new REALA ACE can also be applied to images in RAW, JPEG, or HEIF formats as well as video files.
Look and Feel
While the GFX100 II might look quite similar to the GFX100S at first glance, it also inherits features from the original GFX100, that the GFX100s didn’t have, including the removable electronic viewfinder and the ability to mount the optional VG-GFX100 II battery grip.
The new 9.44-million-dot OLED EVF with 1.0x magnification offers a significant boost over the original GFX100’s 5.76-million-dot EVF with 0.86x magnification.
On top, there is a traditional mode dial along side the large top information display showing exposure compensation, shooting mode, shutter speed, aperture, ISO, autofocus mode, subject detection, and more.
In addition to the mode dial, there are three customizable function buttons located between the shutter release button and display that can be programed for various settings.
Finally, the back of the camera features the tilting LCD touchscreen, joystick for autofocus control and menu navigation and various other function buttons.
